![]() But the combination of a bunch of processes all driven too hard could overwhelm the final result of a track, or negatively impact the whole mix. Overdrive one piece and sure, it might sound good in a vacuum. With analog gear, you have to think globally-you have to consider everything from the source to the mix bus. In the analog world, gain staging refers to adjusting the level at each point of amplification to ensure an optimal signal-to-noise ratio, without unusable distortion. Now we can put a finer pin on the term gain staging as it applies to analog processing: This was usually the result of driving a unit beyond the capability of its power supply’s voltage. Push the gear too hard, and you’d incur unusable distortion. ![]() There were issues in getting good results: Record too quietly, and you’d approach the noise floor-a blanket of constant, audible hiss that can be distracting. A “good result” could mean something pristinely clean, or something pleasantly saturated this depended on the material in question. Microphones, outboard EQs, compressors, console desks, tape machines-every piece of gear had to be leveled properly for the next piece of the chain, in order to achieve a good result. Above this level, we can get hard digital clipping, characterized by squaring off a waveform:īefore the advent of digital, records were made with analog equipment. We call this room “headroom.”ĭigital can have a limit all its own-a ceiling we call 0 dBFS. We keep this distortion in mind when setting the levels of analog processors, making sure we preserve enough room before the point of distortion. The distortion can sometimes sound round, even pleasant in small doses. digitalĪnalog and digital gain staging are two practices that have similar beginnings, but differ quite a bit under examination.Īnalog gear has physical limits above which a signal will incur audible distortion. Gain staging has traditionally been set up differently in analog and digital environments. So, the better term here might be “strong.” In my experience, this is particularly true of electronic hi-hats: they can sound quiet, read loud, and cause digital distortion if left unchecked. An audio signal might appear “quiet” while causing analog or digital distortion regardless. It’s too subjective-certainly when it comes to meters or signal processors. “Loud” is also too fuzzy for our purposes. Think like goldilocks: you want it to be just right. It’s important to note that “optimal” here means loud enough to drown out the inherent noise floor of a recording, but not so loud as to cause immediate distortion upon hitting the next processor in a chain. ![]() By gain staging through your analog and digital systems, you can achieve the best possible sound for your recording. the just-right floral notes will have your guests wondering where you're hiding that flower garden.Gain staging is the process of making sure the audio is set to an optimal level for the next processor in the chain in order to minimize noise and distortion. eliminate odors and treat your senses to the citrus-y freshness of a febreze plug with fade defy technology in gain (r) original scent. We do not use phthalates, formaldehyde or flammable propellants as ingredients when we make febreze.Alternates between two complementary scented oils, so your two nostrils won't stop sniffing them.This one's for you, gainiacs, eliminate odors and treat your senses to the citrus-y freshness of a gain original scent.Just plug into any outlet to start cleaning away your tough stinks in the kitchen, mud room or even pet odors. ![]() Febreze plug (formerly Febreze noticeables) air freshener refills are compatible with all versions of Febreze plug warmers.Get 1200 hr of Febreze freshness (on low setting) from one febreze PLUG odor eliminator refill (that's 72,000 min).Cleans away odors rather than just masks them and leaves behind a light, fresh scent. ![]()
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